On Friday, November 22, artist-in-residence Sarah Crow gave a talk on her recently completed reproduction of Caravaggio's The Supper at Emmaus (1601). She described her methods of using historical materials and methods to match the tone and beauty of the original work as closely as possible.

She also explained some of the subtle theological symbols hidden in plain sight in the painting, which draw from existing iconography in creative and surprising ways. 

Finally, Sarah reflected on the spiritual aspects of spending time with the Baroque master through one of his most famous works, emphasizing his surprising tenderness in his treatment of the subject matter.

You can read a full account on her blog here.